How To Play Dan Tranh
Playing Dan Tranh
Playing Position

Playing Dan Tranh
Dan Tranh is normally placed horizontally on a stand or on the lap of the
musician while playing. The wider end (the end with the note indicators), the
head of the Dan Tranh, is on
the right and the smaller end (the end with the tuning pegs) is on the left.
The player, normally sitting down,
plucks the strings on the right side of the bridges using the right hand and control the sound using
the left hand touching the strings on the left side of the bridges.
Right Hand

Plucking the strings with the
thumb and the index fingers
For a beginner, playing Dan Tranh is as easy
as playing a piano: just pluck a string (or press a key) for the corresponding note.
The musician normally plucks the strings at a
location between the bridges and the Dan Tranh head using two (or three) of the right hand
fingers: thumb, index (and middle) fingers. Normally, the traditional musicians use only
two fingers (thumb and index) and the modern musicians use three or more
fingers. The little finger and the ring finger are
normally rested on the sound body near the head. For more complex
repertoires, an accomplished Dan Tranh musician can also use 4 or even 5 fingers
to pluck the string. The sound is different depending on the location
where one plucks the string (e.g., the sound is sharper if one plucks near the
head and softer near
the center of the bridge and the head), so depend on the mood of the song, the
musician plucks the strings at the appropriate places.
Similar to playing a piano or a classical guitar, which finger to use to pluck the
string (or press the piano key) is a function of convenience depending on the next or previous
sequence of notes. A piano or classical guitar player should be able to
effectively select which finger to pluck the string (depending on the song)
after a short period of trying the Dan Tranh.

Metal plectra and plastic plectra
Dan Tranh can be played using fingernails; however, most musician normally wear
picks (plectra) made of metal, plastic or tortoise-shell on their fingers when playing.
Due to the anatomy of the human hand, the thumb is used on the
down-stroke (when the note sequence is going from high to low) and the other fingers are used on
the up-stroke (when the note sequence is going low to high). The sound for
the down-stroke and up-stroke are slightly different due to human hand anatomy
so some musicians use this fact to add more subtle nuances to the sound.
Since Dan Tranh is tuned in pentatonic where all the notes go well together, just playing the scale by plucking a
series of strings either from high to low (using the thumb) or from low to high
(using the index or middle finger) generate a very pleasant sound. This scale
running (arpeggio, or normally call "playing the A' " by Dan Tranh
musicians) is played fairly frequent in traditional
music.
Left Hand

The left hand fingers placed on
the string to add ornaments
While the right hand is plucking the strings, the left hand is manipulating the
same strings on the other side of the bridges to add ornaments and special
effects to the sound: note control, vibration control, resonant control, etc.
Four of the most common techniques are tapping on the string, gliding on the
string, pressing or bending on the string and vibrating the string.
For pentatonic music, most of the left hand technique are for ornaments or
special effects and any guitar or violin players can get familiar with in almost
no time. A beginner playing a pentatonic song using Dan Tranh does not need to use the
left hand at all and can practice the right hand techniques first.
While the right hand is important in making
the sound, it is the left hand technique that really distinguishes an
accomplished Dan Tranh musician. One of the most important aspect of
playing Dan Tranh is the sounds it generates so the left hand techniques need to
be constantly practiced and improved by all Dan Tranh musicians.
Playing Western Music
When playing a Western song which has a scale more complex than pentatonic, the
musician, must use the left hand to press or bend the strings to achieve the missing notes.
For Dan Tranh tuned in C major (A minor), the following notes need to be bended to produce
all the 12 notes in western music:
| Dan Tranh Tuned in C
Major (Pentatonic) |
| Natural Note |
Note Created |
Left Hand Action |
| C |
C# (or Db) |
Press C string |
| D |
D# (or Eb) |
Press D string |
| E |
F |
Press E string |
| |
F# (or Gb) |
Press hard E string (double pressure) |
| G |
G# (or Ab) |
Press G string |
| A |
A# or (Bb) |
Press A string |
| |
B |
Press hard A string (double pressure) |
For Dan Tranh tuned in F major (D minor), the
following notes need to be bended to produce all the 12 notes in western music:
| Dan Tranh Tuned in F
Major (Pentatonic) |
| Natural Note |
Note Created |
Left Hand Action |
| C |
C# (or Db) |
Press C string |
| D |
D# (or Eb) |
Press D string |
| |
E |
Press D string (double pressure) |
| F |
F# (or Gb) |
Press F string |
| G |
G# (or Ab) |
Press G string |
| A |
A# or (Bb) |
Press A string |
| |
B |
Press hard A string (double pressure) |
Similar "note creation" technique applied for Dan Tranh
tuned in any other pentatonic scale.
A beginner may want to add labels for the extra notes in
the Note Indicator area and also add some markers on the left side of the
bridges to facilitate the left hand to find the appropriate strings.
Special Techniques
Some accomplished Dan Tranh musician sometimes pluck the string using both hands.
This would allow a Dan Tranh player to generate as many notes as a piano player.
However, this technique, while can produce
more notes, reduce the quality of the sound as the left hand is no longer there
to add ornaments to the sound. So this technique should be only used when necessary or
during the very loud part of the song where individual sound quality may not be that
important.
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